| Belin |
| Kresnik, Belin's son |
| St. Belin |
| The Celtic Belen |
| Sumerian Bel |
| Bel's Origin |
| Belin's Stone |
| An inscription dedicated to God Belin |
| Belin, ou Belenos |
| http://racines.traditions.free.fr/apollond/belvenet.pdf |
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| He was not only a Celtic or a Venetic God - Belin was more, much more... |

| Norican slab bearing the inscription which attests the sacrifice to the Steinbock (Belin's messenger), 1st century BC, Roman era. |
| Belin had also a messenger in the animal world, which must have been the Steinbock, or ibex. In the Norican chief town of talen (Magdalensberg) in Carinthia, a slab stone was preserved from the 1st century BC, bearing the inscription: sacrificiu(m) Cap(r)icorni C(aio)Vibio Postumo co(n)s(ulle) pr(idie)... Novimb(res) Gallus fec(it) lu(mina) ==, v(inum)==, cru(stum)=, murra= Translated: Sacrifice of the steinbock was carried out by Gallus, under Consul Caius Vibius Postumus.... in November (together 12 onches of wares, expressed with 6 signs of = ). One says, this sacrifice was dedicated to Emperor Augustus, conceived on December 23 in the sign of the Capricornus (Steinbock, from December 22 - Januar 21). But the month of November does not correspond to this event. This sacrifice was evidently made in honour of Belin's messenger, the Steinbock. |

| Goldenhorn (Zlatorog), the white gold-horned steinbock, was Belin's (or Belen's) messenger in nature. Rudolph Baumbach, a German poet, made this into a famous poem called "Zlatorog" (Leipzig 1877). It is not known, if Belin had an animal messenger in the Celtic world too. - Painting by Ivo Petkovek. - (for details see article: Goldenhorn - the Steinbock of the Alps) |

| Norican stelae of Roman period. It depicts the scenes from the fable of Fetonte (Kresnik), Belin's son. On the right we see two enlarged scenes, in which Cygnus, Fetonte's friend, is trying to keep him away from the fateful sunny carriage. |

| Another enlarged scene from the Norican stelae: Fetonte is sitting on the sunny carriage. Above him we see Belin Zeus (Zeus) and Hermes, as they appear in the Grecized legend of Fetonte. | |
| This mythical story is not of Greek origin, but is handed down in a Grecized form. It has to be mentioned here, that the ancient Greeks also called their supreme god Bélos or Zeus-Bélos. Thus, there is a very close similarity of names between them and the ancient Veneti. The Fetonte-story therefore certainly pertains to the Venetic mythology. It captured people's attention in the 19th century AD, when the public showed an interest for cultural legacies from the classical world. Fetonte's story was summed up with the following words: The existence of the Veneti in Venetia intervened with the myths created by the Greeks... who also invented the precipitous fall of Fetonte in Eridanus. Berosus of Chaldea, who lived in the 4th century BC, wrote, that the Veneti descended from Fetonte, the son of Ligure... (Molon, 1881). Berosus (340 - 290 BC) was a Chaldean priest, historian and astronomer. The word Ligure is associated with the Ligurian king in the story, and in this way with the Ligurians, who, in my opinion, are descendants of the ancient Veneti. Consequently, several authors, who are not familiar with the Venetic origin and their identity, assume that at one time Europe was populated by the "Ligurians". |

| Votive inscription of "Belino Sancto" from Aquileia, where god was the divine protector of the town (3rd century AD). In distinction to prior inscriptions of "Belino Avgustus", this one must be considered as an homage to the Christianized shape of Belin. After Christianization, it became a Sol salutis (Helios), an allusion of a victorious Christ, which this inscription very probably reflects. |

| On the continent, Belenus was associated with all the functions the Celts expected of solar gods: protection, fertility, healing, and regeneration after death. The horses, solar symbols, probably symbolized Belenos himself (cf. Green J. Miranda, 1997, 2003). |
| The Celtic Belen |
| Sumerians were the first known people of Mesopotamia. At a very early period - prior to 3000 BC - their holy city called Nippur, became the centre of a political district of considerable extent. The chief deity of the religion there was Bel, which later became the most important god of the Babylonian and also of the Assyrian religion. Its name signifies "lord" or "master", as historians explain. His real name is accordingly to be sought in En-lil, of which the first element again has the force of a "lord" and the second presumably of "power" and the like. |
| Bel or En-lil originally was the patron of Nippur. Inscriptions found there show that he was in fact regarded as the head of an extensive pantheon. Among the titles accorded to him are "king of heaven and earth" and "father of the gods". His chief temple in Nippur, known as E-kur, signifying mountain house, was his sanctuary. Babylonian and Assyrian rulers vied with one another to embellish and restore Bel's seat of worship. |
| I believe, however, that the Sumerians, who must have arrived from a mountain region, called him first Bel, and that this name signified "white, light". Thus, he was originally the god of light. Thereafter, the original signification of Bel was amalgamated with En-lil, the "master", and because he was the chief god of the pantheon, only such a meaning was preserved. |
| When Babylon became the centre of a great empire, god Marduk presided over the holy city of Nippur, and the titles of En-lil were transferred to him. He was also the "lord", but known under the name Bel Marduk. We find Bel as a factor in the religion of Babylonia and Assyria to the latest days. His animal messenger was the Hawk, which still today is the symbol of Iraq. |
| Bel (En-lil) of the Sumerians held the insignia of royalty which he dispensed to the person of his choice. Earthly kings, then, were only his representatives or vicars. In order to raise them above other men, it was enough that god should pronounce their name, for the word Bel was all-powerful (Larouse Encyclopedia of Mythology, p. 54 - 55). |
| Bezlaj France: Etimoloki slovar slovenskega jezika II (kres), Lublana 1982- |
| Dizionario di toponomastica. Stora e significato dei nomi geografici italiani, UTET, Turin 1990 |
| Forstner Dorothea: Die Welt der christlichen Symbole (Helios), Innsbruck 1982 |
| Green J. Miranda: Dictionary of Celtic Myth and Legend, London - New York 1997 |
| Green J. Miranda: The Gods of the Roman Britain, Princes Risborough 2003 |
| Jabornegg - Altenfels Marcus Freiherr von: Kärntens Römische Altertümer, Klagenfurt - Celovec 1870 |
| Kelemina Jakob: Bajke in pripovedke slovenskega ljudstva, Celje 1930 |
| Mikhailov Nikolai: Baltoslovanska mitologija - baltska in slovanska mitologija - slovenska mitologija. Nekaj terminolokih pripomb, SAZU Traditiones 26, Lublana 1997, 77 ff. |
| Molon Francesco: Sui popoli antichi e moderni dei sette comuni del Vicentino, Vicenza 1881 |
| Turre (Filipo della Torre), Dissertationes de Beleno... in Monr. veteris Antii, 1700, p. 281 |
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| The above mentioned figure encircled by rays, is very similar to Belin (Belen), the god of light and of the ancient Veneti. Its veneration was still preserved during the Roman period. Moreover, he continued to be the protecting god of Aquileia, which grew into a very large Roman centre. Istria, too, pertained to the cultural area of Aquileia. In early Christianity, Belin's veneration in some localities passed over to Christ and also to St. Michael Archangel. In Friuli, not far from Aquileia, Belin's name has been preserved on a little church near Gagliano (Cividale). At a nearby hill, the present-day Mary's pilgrimage church of Stara gora (Castelmonte) was first dedicated to St. Michael Archangel. The parish church of Krkavce has also been consecrated to St. Michael Archangel. Thus, there are too many similarities to call it only a coincidence. |

| (cf. article: God Belin and Echo I, letter dated August 7, 2004 "In consideration of..." |